So, I get this box of stuff in the mail from Martha. She included a note. “Make something awesome for your Mom for Mother’s Day, Susan! Love, Martha.”
NO PROBLEM! Who could say no to *Martha*? Look at what she sent:
Amazing, right? I was really, really excited about the all-surface paint. Paint that works on paper, fabric, canvas, glass, ceramics, plastic, wood… all in one bottle. Have you ever bought glass paint? So expensive for something that only works on one surface!
So I had all of these options and not a single idea in my head. I had 45,00 ideas that were all running together. So I called the craft help line. 1-800-co-blogger. I give her the run-down of what’s in the box and we talked about the sprayer and how cool it is. And Adrianna says “use the sprayer thing and a stencil’s negative space” or something like that.
Okay, let’s do it.
In thinking about my Mom and what she might like, and what I’d like as a mom, I was thinking apron. Whether we’re cooking or crafting, they’re helpful. And I had a few thoughts on what to say. Like:
I picked kind of a sappy one. I was on the fence. But when I think about it, and I’ve been thinking about it a lot lately, my Mom and Dad are in everything I do. We’ll talk about Dad later. For now, let’s focus on Mom. She’s not all that artsy. Like, just barely. I think we both scratched our heads when I was young about where my artsy-ness came from. She’s a bit crafty, but mostly in a practical sense. So while she wasn’t my artsy genetic influence, she taught me to try new things and to keep trying until it worked. That’s pretty critical to who I am now. She also taught me how to use her sewing machine, left me alone with it to figure out what I wanted to do, and gave me supplies to play with. And most of the hard-copy recipes in my kitchen are hers. If I can make it, whatever it is, it’s probably because of her. So that’s what I chose.
It’s agonizing to choose paint colors. But I finally made it happen.
I decided I didn’t want the straps of my apron to be painted, so I masked those and taped my apron to a board that would stand upright for painting.
Here’s the apron, ready to go. What I want to achieve is a gradient sort of effect. I were going for a solid look on fabric, there are other ways to do that. But for a gradual shift or an ombre effect, the sprayer is the way to go.
There are two things to note about the sprayer. First, once the paint is added to the bottom, no shaking. You’ve got to shake and mix the paint and medium before you add the sprayer. I shook it out of habit, expecting a little ball to be shaking around in there or something? And that was not helpful. Second, the red spraying nozzle has to be lined up with the “V” notch in the paint cap.
Once you’ve tested it somewhere other than on your project, you’re ready. Since I hadn’t managed not to shake it, it took a bit for the sprayer and I to get things worked out, but we made our peace and got to work. A tip for any kind of spray painting– unless you’re going for the blotchy, drippy look, always start off to one side and sweep into your work area. Wherever you start spraying there’s likely to be a blotch or drip or both. Although this sprayer is more gentle/subtle than the regular cheapie stuff.
So I started spraying.
And kept going. Might’ve been a bit smoother were I not attempting to photograph and paint simultaneously. Kept going…
Until I felt I had solid enough coverage over the lettering that it would be attractive and reasonable, and a nicely graded feel to the rest. And then the peeling. Peeling a freezer paper stencil is so so SO satisfying.
And here’s the finished product!